What is the best compression setting?

What is the best compression setting?

Here are my go-to compression settings for vocals:

• Ratio: 1.5:1.
• Attack Time: 15ms (but up to 30ms for more punch)
• Release Time: 40ms.
• Threshold: -24dB.
• Gain Reduction: 2-3dB.
• Knee: Soft.
• Makeup Gain: 2dB.

How do I compress vocals for a podcast?

How to compress voice over audio

1. Start by reseting the compressor to a neutral setting.
2. Increase the threshold so that your louder elements are triggering the compressor.
3. Set the ratio from 2:1 to 4:1, whichever sounds more natural on your recording.
4. Play with the attack time to get a more natural sound.

How do I make my podcast sound better?

General tips for sounding good

1. Don’t worry about “likes” or “ums.” Using filler language like “uhhhh” or “y’know?” is a sign that you’re speaking casually. Try not to keep track of your “like” count.
2. Smile when you are speaking.
3. Vary your vocal inflection.
4. Take notes.
5. Start your sentences over when you’re unclear.

What is a good compression ratio for vocals?

A good starting point for a rock vocal would be a 4:1 ratio with a medium-fast attack and a medium release. Then, set the threshold for around 4 to 6dB of gain reduction. Increase or decrease the attack time until you get the right level of forwardness for the mix.

What are compression settings?

Compression is the process of lessening the dynamic range between the loudest and quietest parts of an audio signal. This is done by boosting the quieter signals and attenuating the louder signals. The controls you are given to set up a compressor are usually: as compression often attenuates the signal significantly.

Should you use podcast compression?

Compression is essential for having a professional-sounding podcast, which in turn will get you more listeners.

Which is the best compression setting for a podcast?

In music production, engineers tend to stack up compressors since different parts of the recording require different dynamic enhancements. When it comes to podcasts, even if you have a bunch of people talking in different mics, it is usually better to set just one compressor on the master bus.

Do you need a compressor for a podcast?

When it comes to podcasts, even if you have a bunch of people talking in different mics, it is usually better to set just one compressor on the master bus. Sometimes you actually might not use a compressor but instead, apply some other types of dynamic processing.

What kind of audio compression do you need for NPR?

Some people like the highly compressed sound of NPR and other American radio stations, this requires a fair bit of outboard hardware. Leo Laport of TWIT fame has a good write up somewhere of his hardware. Personally I find it crushes the life out of the audio.

What’s the best way to compression an audio file?

Easiest way is to look at the waveform of your recorded audio, find the peaks where you are speaking naturally (not the screaming and laughing part), then set the threshold just a tiny bit below that.